![]() In her 20s, she visited Paris and spent several days exploring the Paris Opera House, where the story takes place. Growing up and as a young adult, she saw the play five more times. In 1992, friends join Jennifer Parker (far right) at 12, dressed as the Phantom “So in case one of them breaks, not everything goes ‘whoosh’ all over the floor,” Chockley said. It’s made of more than 6,000 beads, all double-knotted. The one-ton lighting device travels in its own semi-truck. The artistry of the new chandelier is also apparent, complete with a new entrance and new “dance moves," according to Chockley. “He’s less of this magical mystery man and more of this, sort of tortured soul who has a pure artistic vision that he’s really trying to get across,” Chockley said. The Phantom’s motivations are also different, according to stage manager Chockley. “Instead of Christine being sort of hypnotized and the Phantom being some sort of magician, it’s about her deciding to go through the mirror, her deciding to go into the lair, her deciding who to end up with, whether it’s Raul or the Phantom,” Travis said. She says the new show is much more empowering for Christine. Travis has now seen the original version five or six times, and watched about a dozen rehearsals of the updated play. ![]() Travis first saw “The Phantom” in Toronto when she was 4 years old. ![]() At 27, the Michigan native is nearly the same age as the show. Kate Travis and Chris Mann in "The Phantom"
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